Even though Bach composed a significant amount of music while in Leipzig, how did he feel about his compensation?

Johann Sebastian Bach's feelings regarding his compensation during his time in Leipzig are well-documented and reflect the struggles of many musicians during that period. While he was able to compose a substantial body of work, including cantatas, concertos, and orchestral music, it is noted in various sources that he felt undercompensated for the extensive demands placed upon him in his role as the Cantor of St. Thomas Church.

Bach was responsible not only for composing music but also for teaching students and managing the music program of the church, which was a considerable workload. In letters and accounts from his life, he expressed concerns about his financial situation despite his contributions to the church and the community. His compensation was not commensurate with the output of quality music he delivered, leading to a sentiment of being underpaid for his efforts.

This context highlights why feeling underpaid aligns with Bach's experiences. His dedication and extensive work in Leipzig were met with a sense of financial inadequacy, giving insight into the challenges faced by artists even in positions of influence during that era.